Morgyn Leri (![[personal profile]](https://www.dreamwidth.org/img/silk/identity/user.png)
morgynleri) wrote2011-07-15 12:01 pm
morgynleri) wrote2011-07-15 12:01 pm
Entry tags:
30 Day Writing Meme - Day 3
3 – For each of the fandoms from day two, what were your favorite characters to write?
This is going to be a long post, 'cause I'm interested in actually talking about the favorites. More so with the "Current Fandoms" list than the others, but still. Short version is at the bottom, outside the cut.
Current fandoms:
Highlander - Methos, my OC Alysse, Kronos, Silas, my OC Zoya, Darius
Methos was my first favorite character, and he's always been the easiest for me to write. He's complex, and I've written him darker and lighter and in between. I've tried to capture his complexity, and am never really certain I succeed. And he's almost invariably the character I write around when I'm participating in the annual holiday exchange.
Alysse was my first OC that I didn't end up ditching later. She's got at least three different manifestations - Alysse light, who met Methos at some point in her past, and tends to be mischevious and rough, but has mostly tried to be just another human rather than the goddess she was called as a very young Immortal; Alysse dark, who met Kronos after the Horsemen, is sharper at the edges, fiercer, less compassionate, more arrogant and dangerous and capricious; and the Alysse of an unposted AU, Gods of Death, in which she met Kronos before the Horsemen, and travels with him, and they encounter Methos in Carthage, and pick up a pre-Immortal Caspian there, and things just get more dangerous for the world from there.
Kronos is an excellent muse for bleeding off anger and frustration, and he cheerfully suggests ways to destroy or take over the world. He's also, recently, tended to show a... different side of himself. That he can care, that he's capable of being gentle and affectionate. I tend to find him scarier when he starts demonstrating that side of himself.
Silas and Zoya tend to be connected in my writing, since Zoya is written as an Immortal that Silas found as an infant in the 1920s, and raised as well as teaching how to be Immortal. I have written some with Silas with Caspian, but mostly he tends to stay with Zoya. Both are steady characters, calm and about as easy to shift as a mountain, but with a comfort with death and killing that isn't as incongruent as it looks at first.
And Darius... Darius is a recent arrival as a muse, but I'm enjoying writing him immensely. He's not easy to write, and he's not always loud or present, but when he is, the stories tend to make me think more than some of the others.
Historical RPF (15th century) - Henry of Monmouth, or Henry V
Henry of Monmouth is how he would have been known to his contemporaries, more than as Henry V, though he was also noted as such in documents. He's energetic, demanding, and persistant as a muse, with ambitions that suit what I have read of the historical individual. If I let him, he'd take over as much of the world as he could hold onto. Or in the case of Those Who Sleep in Elysium, where Henry is immortal, and Montjoy is Haerviu (and therefor Immortal), a whole other planet.
Shakespeare - Montjoy
Mostly as Haerviu, an Immortal OC who came from the Rhine valley and whose mortal life only barely predated the Romans expanding out of Italy. He has his own set of stories that are meant to be set in something approximating real history, Herald, Soldier, Priest, as well as the world mentioned above, Those Who Sleep in Elysium, which is essentially a centuries-long relationship with Henry of Monmouth after he's been made immortal by the Morrigan.
Iron Man - Ivan Vanko, Tony Stark, Pepper Potts
Ivan caught my attention in the second movie, and he hasn't really let me go since. He's not always loud, but he doesn't have to be. He sits there with his bird, and all but a handful of the other muses eventually just throw up their hands and walk away until he gets through telling me whatever story he wants to tell.
Pepper didn't really establish herself until after the second movie, though she caught my attention in the first, and she's firmly established herself as the CEO of Stark International, rather than as Tony's personal assistant. My muse rather likes the position - though she is willing to work with timeframes that mean she's not yet in that position.
And Tony. Well, he's impossible to ignore in the long run, though he's more interested in hiding in his lab or carrying on a childish grudge-match of some sort with my Ivan muse. He's working on things, though, and the muse may eventually settle into a more complex personality than I'm getting out of him, but not yet.
Harry Potter - Hermione Granger, Remus Lupin, Millicent Bulstrode, Regulus Black
Hermione wasn't my first favorite - that honor belongs to Snape - but she's the one who's always piping up with plot bunnies and crossover bunnies and occasional plans to take over the world. She's very good at that, when she cares to be. And sometimes she shows an interest in acquiring a romantic interest, but mostly, if I do that, it's either a prompt, or incidental to what she really has in mind.
Remus has been more recently a favorite, easy on the nerves when I just want to scream. Fun, though, and not always simple, or with an interest in uncomplicated - he's taken up more professions than any of the rest of the HP muses. But he's good to write when I'm tired and want something which can at least start easy, and build in complication and need for thought.
Millicent is very simple, most of the time, which is not to say easy or less intelligent as a muse. She's steady, quiet, and about as easy to shift as a rock. Philosophical at times, doesn't really much care to bother with hating people, and mostly annoyed when people do something to disturb the way she wants her life.
Regulus... I'm not sure. First thing I wrote him into is a defunct AU that I don't use any longer, and he sort of grew on me. And now he gleefully complicates and twists anything I let him, while doing his level best not to end up on anyone's radar. Which he's surprisingly good at, the wretch.
Others fandoms for individual projects:
Here, I'm limiting myself to ones where I've posted at least one story that's longer than a drabble, and haven't subsequently pulled or otherwise abandoned the story (or fandom).
X-Men - Logan/Wolverine, Victor Creed/Sabretooth, Emily, Hannah Anderson/Hack
Both Logan and Victor for much the same reasons - they're strong, relatively intelligent, driven characters. That they tend to diverge in ethics and motivations makes it all the more entertaining to write the both of them into the same story.
The two originals that I also enjoy writing both tie back to the canon ones - Emily in that she's Logan's daughter, even if neither of them is aware of it, Hack in that she's fascinated by and half in love with Victor.
Emily is half-feral, skirts the edge of what I feel is Mary Sue territory, fun to write, and lends herself to all sorts of crossovers. And usually, while I'm aware of the connection between her and Logan, none of the characters are, and a majority of the time never become aware of it. Or, the only one who does is Victor, and. Well. *shrugs*
Hack... is wild in a way Emily never will be, psychotic, submissive, and utterly reckless and careless about her own safety. She doesn't care what others think of her, with the sole exception of Sabretooth - and she hopes he doesn't care so much as not to kill her when she slows down. I like writing her, though I'm pretty sure she's absolutely insane.
Stargate SG1 - Sam Carter, Daniel Jackson, Baal, Paul Davis
I started with Baal, and branched out rather rapidly to Sam... with a strong interest in Sam/Baal. Sam's a little quieter than Baal, most of the time, though she has taken over my Stargate mirror-verse style AU (Night Mirror), and has started gathering men for herself and Jolinar - Paul, Martouf/Lantash, Baal. And is quite good at making Baal listen to her.
Baal, on the other hand, has been remarkable quiet lately, and has decided some of my other muses are interesting. I'm fairly certain he's plotting, though so long as he doesn't try kidnapping Tony Stark again, I might keep my sanity.
I don't remember when Paul started growing on me, but he did, and he's got his own AU (Scarred Souls), as well as a strong central role in Night Mirror, as mentioned above. He's not always about, and sometimes I'm not sure about how well I'm writing him, but still. I enjoy writing him.
And Daniel is quietly present, and will sneak into a story when I'm not looking. Or feed the plot bunnies donuts, and then leave me to deal with the chaos while he talks to Methos (or hides in the library with the dragon named Alaric... don't ask. I'm still not sure about the dragon).
Doctor Who - The Doctor, the Master, Romana, Donna Noble
Donna, because she is strong and brash and loud and perfectly willing to slap those who need slapped, no matter how scary they might sometimes be. And she lends herself well to AUs - Darker Guardians (mirror-verse style AU) and Fairytales & Nightmares both come to mind. Both of which have involved her traveling with the Master, in one form or another - Jacobi!Master in the former, Delgado!Master in the latter.
Romana, because while I've not seen as much as I'd like, and I haven't watched any with Romana II, she struck me as a strong and interesting character. She's not always loud or present, and sometimes she's difficult to write, but that's part of why I enjoy writing for her.
The Doctor - Nine, mostly. Sometimes Ten, if I'm going for AU. I haven't tried to write any before Nine, mostly because Classic Who is one of my childhood fandoms, and I don't really write in most of them. And I haven't tried canon Eleven yet, because while I enjoy watching him, he has not shown up as a muse.
The Master - Jacobi!Master is actually my favorite to write, and we only got all of maybe five minutes of him. Simm!Master is a close second, and I've a couple AU Masters that I like to write that I use other faces for - the one that got christened Giles!Master, and Oldman!Master, who both had their birth in RP, and both tend to be rather nasty pieces of work.
Torchwood - team
I'll write one or more of them into a story, and I did start with a strong preference for Owen and Jack over the others (though not particularly Owen/Jack), but the others have grown on me and I can't really call any one of them my favorite over the others.
Farscape - Bialar Crais, Talyn, Teeg
Crais was the whole reason I got into Farscape, and into Farscape fandom. He continues to be one of my favorites because he's complex and compelling, with plenty of space to be creative within the framework of canon as well as AU. Even if I don't write a whole lot of Farscape fic anymore. And my love of writing Talyn is very connected to Crais.
Teeg, on the other hand, I didn't even really think about until a prompt over at Terra Firma caught my attention... and Teeg moved into my brain and told Crais to shut up and sit down, and proceeded to tell me a story. She's still telling me bits of story when I'm not distracted with fandoms that are more current.
House - Gregory House
Actually, House is probably the only one I reliably write from that fandom, and I haven't in quite a while. I don't particularly like the new canon, and the one AU I was really working on has mostly run its course. House still hangs about, though, if mostly in the form of encouraging plot bunnies and feeding them scotch, vicodin and alien donuts.
Fandoms primarily from co-authored stories:
Fandoms in which I've been the one writing the characters, in which at least one story longer than a drabble has been posted. The rest, I'm not worrying about. And the explanations are shorter in the interests of finishing this post before I fall another day behind.
Criminal Minds - Penelope Garcia, David Rossi, Jason Gideon
Gideon was my first favorite character. Garcia was the first of them I wrote, and she continues to be more my muse for CM than the others. Rossi I disliked at first, but he grew on me. And moved into my head. And then met Baal from Stargate, and... well, lets just say Rossi makes me facepalm sometimes.
Stargate Atlantis - Ensemble
While I am not at all confident of my ability to write Sheppard or Teyla at times, or Carson, I prefer to find roles for all of them in a story, even if they're only bit parts. I'll write Ronan over Ford, so mostly after first season, but I am determined to eventually write Ford as well.
Buffy the Vampire Slayer - Rupert Giles/Ripper, Faith, Willow Rosenberg
Giles I tend to write more as Ripper than as Giles, because I tend to write more in AU than in canon, and he tends to speak to me more in that guise. Faith, I enjoy because she is strong, kick-ass, and can be cheerfully amoral while still fiercely protective of those she thinks of as family. And Willow... I don't know that I can actually say why I enjoy writing her, other than I find her oddly easy to write, in the full gamut from shy, awkward teenager to powerful, confident witch at the height of her powers - either dark or light or somewhere in between.
Angel - Lindsey MacDonald
While I do enjoy writing others- Lorne and Gunn both come to mind rather easily - Lindsey is my favorite because I can do just about anything with him. And probably because I've gotten into Leverage, and Christian Kane is playing Eliot, and that just makes my Lindsey muse sigh and bang his head against a wall.
Mythology - Anat
Um... because she'll throw a fit if I don't? She's strong, determined, and very much a survivor. Violent at times, avoiding war at others. She plays well with Immortals, and other long-lived people, as well as with mortals, most of the time. Although sometimes she does toy with them.
Sorcerer's Apprentice (2010) - Balthazar Blake; Arthurian Legend - Nimue
I don't actually have any other muse from Sorcerer's Apprentice, and Nimue I've adapted to fit that fandom rather than sticking to any of the various written or other movie variations and adaptations of Arthurian legends. And the two of them tend to bounce off each other, and have provided more than one plot bunny.
The tl;dr version:
Highlander - Methos, my OC Alysse, Kronos, Silas, my OC Zoya, Darius
Historical RPF (15th century) - Henry of Monmouth, or Henry V
Shakespeare - Montjoy
Iron Man - Ivan Vanko, Tony Stark, Pepper Potts
Harry Potter - Hermione Granger, Remus Lupin, Millicent Bulstrode, Regulus Black
X-Men - Logan/Wolverine, Victor Creed/Sabretooth
Stargate SG1 - Sam Carter, Daniel Jackson, Baal, Paul Davis
Doctor Who - The Doctor, the Master, Romana, Donna Noble
Torchwood - Team
Farscape - Bialar Crais, Talyn, Teeg
House - Gregory House
Criminal Minds - Penelope Garcia, David Rossi, Jason Gideon
Stargate Atlantis - Ensemble
Buffy the Vampire Slayer - Rupert Giles/Ripper, Faith, Willow Rosenberg
Angel - Lindsey MacDonald
Mythology - Anat
Sorcerer's Apprentice (2010) - Balthazar Blake
Arthurian Legend - Nimue
This is going to be a long post, 'cause I'm interested in actually talking about the favorites. More so with the "Current Fandoms" list than the others, but still. Short version is at the bottom, outside the cut.
Current fandoms:
Highlander - Methos, my OC Alysse, Kronos, Silas, my OC Zoya, Darius
Methos was my first favorite character, and he's always been the easiest for me to write. He's complex, and I've written him darker and lighter and in between. I've tried to capture his complexity, and am never really certain I succeed. And he's almost invariably the character I write around when I'm participating in the annual holiday exchange.
Alysse was my first OC that I didn't end up ditching later. She's got at least three different manifestations - Alysse light, who met Methos at some point in her past, and tends to be mischevious and rough, but has mostly tried to be just another human rather than the goddess she was called as a very young Immortal; Alysse dark, who met Kronos after the Horsemen, is sharper at the edges, fiercer, less compassionate, more arrogant and dangerous and capricious; and the Alysse of an unposted AU, Gods of Death, in which she met Kronos before the Horsemen, and travels with him, and they encounter Methos in Carthage, and pick up a pre-Immortal Caspian there, and things just get more dangerous for the world from there.
Kronos is an excellent muse for bleeding off anger and frustration, and he cheerfully suggests ways to destroy or take over the world. He's also, recently, tended to show a... different side of himself. That he can care, that he's capable of being gentle and affectionate. I tend to find him scarier when he starts demonstrating that side of himself.
Silas and Zoya tend to be connected in my writing, since Zoya is written as an Immortal that Silas found as an infant in the 1920s, and raised as well as teaching how to be Immortal. I have written some with Silas with Caspian, but mostly he tends to stay with Zoya. Both are steady characters, calm and about as easy to shift as a mountain, but with a comfort with death and killing that isn't as incongruent as it looks at first.
And Darius... Darius is a recent arrival as a muse, but I'm enjoying writing him immensely. He's not easy to write, and he's not always loud or present, but when he is, the stories tend to make me think more than some of the others.
Historical RPF (15th century) - Henry of Monmouth, or Henry V
Henry of Monmouth is how he would have been known to his contemporaries, more than as Henry V, though he was also noted as such in documents. He's energetic, demanding, and persistant as a muse, with ambitions that suit what I have read of the historical individual. If I let him, he'd take over as much of the world as he could hold onto. Or in the case of Those Who Sleep in Elysium, where Henry is immortal, and Montjoy is Haerviu (and therefor Immortal), a whole other planet.
Shakespeare - Montjoy
Mostly as Haerviu, an Immortal OC who came from the Rhine valley and whose mortal life only barely predated the Romans expanding out of Italy. He has his own set of stories that are meant to be set in something approximating real history, Herald, Soldier, Priest, as well as the world mentioned above, Those Who Sleep in Elysium, which is essentially a centuries-long relationship with Henry of Monmouth after he's been made immortal by the Morrigan.
Iron Man - Ivan Vanko, Tony Stark, Pepper Potts
Ivan caught my attention in the second movie, and he hasn't really let me go since. He's not always loud, but he doesn't have to be. He sits there with his bird, and all but a handful of the other muses eventually just throw up their hands and walk away until he gets through telling me whatever story he wants to tell.
Pepper didn't really establish herself until after the second movie, though she caught my attention in the first, and she's firmly established herself as the CEO of Stark International, rather than as Tony's personal assistant. My muse rather likes the position - though she is willing to work with timeframes that mean she's not yet in that position.
And Tony. Well, he's impossible to ignore in the long run, though he's more interested in hiding in his lab or carrying on a childish grudge-match of some sort with my Ivan muse. He's working on things, though, and the muse may eventually settle into a more complex personality than I'm getting out of him, but not yet.
Harry Potter - Hermione Granger, Remus Lupin, Millicent Bulstrode, Regulus Black
Hermione wasn't my first favorite - that honor belongs to Snape - but she's the one who's always piping up with plot bunnies and crossover bunnies and occasional plans to take over the world. She's very good at that, when she cares to be. And sometimes she shows an interest in acquiring a romantic interest, but mostly, if I do that, it's either a prompt, or incidental to what she really has in mind.
Remus has been more recently a favorite, easy on the nerves when I just want to scream. Fun, though, and not always simple, or with an interest in uncomplicated - he's taken up more professions than any of the rest of the HP muses. But he's good to write when I'm tired and want something which can at least start easy, and build in complication and need for thought.
Millicent is very simple, most of the time, which is not to say easy or less intelligent as a muse. She's steady, quiet, and about as easy to shift as a rock. Philosophical at times, doesn't really much care to bother with hating people, and mostly annoyed when people do something to disturb the way she wants her life.
Regulus... I'm not sure. First thing I wrote him into is a defunct AU that I don't use any longer, and he sort of grew on me. And now he gleefully complicates and twists anything I let him, while doing his level best not to end up on anyone's radar. Which he's surprisingly good at, the wretch.
Others fandoms for individual projects:
Here, I'm limiting myself to ones where I've posted at least one story that's longer than a drabble, and haven't subsequently pulled or otherwise abandoned the story (or fandom).
X-Men - Logan/Wolverine, Victor Creed/Sabretooth, Emily, Hannah Anderson/Hack
Both Logan and Victor for much the same reasons - they're strong, relatively intelligent, driven characters. That they tend to diverge in ethics and motivations makes it all the more entertaining to write the both of them into the same story.
The two originals that I also enjoy writing both tie back to the canon ones - Emily in that she's Logan's daughter, even if neither of them is aware of it, Hack in that she's fascinated by and half in love with Victor.
Emily is half-feral, skirts the edge of what I feel is Mary Sue territory, fun to write, and lends herself to all sorts of crossovers. And usually, while I'm aware of the connection between her and Logan, none of the characters are, and a majority of the time never become aware of it. Or, the only one who does is Victor, and. Well. *shrugs*
Hack... is wild in a way Emily never will be, psychotic, submissive, and utterly reckless and careless about her own safety. She doesn't care what others think of her, with the sole exception of Sabretooth - and she hopes he doesn't care so much as not to kill her when she slows down. I like writing her, though I'm pretty sure she's absolutely insane.
Stargate SG1 - Sam Carter, Daniel Jackson, Baal, Paul Davis
I started with Baal, and branched out rather rapidly to Sam... with a strong interest in Sam/Baal. Sam's a little quieter than Baal, most of the time, though she has taken over my Stargate mirror-verse style AU (Night Mirror), and has started gathering men for herself and Jolinar - Paul, Martouf/Lantash, Baal. And is quite good at making Baal listen to her.
Baal, on the other hand, has been remarkable quiet lately, and has decided some of my other muses are interesting. I'm fairly certain he's plotting, though so long as he doesn't try kidnapping Tony Stark again, I might keep my sanity.
I don't remember when Paul started growing on me, but he did, and he's got his own AU (Scarred Souls), as well as a strong central role in Night Mirror, as mentioned above. He's not always about, and sometimes I'm not sure about how well I'm writing him, but still. I enjoy writing him.
And Daniel is quietly present, and will sneak into a story when I'm not looking. Or feed the plot bunnies donuts, and then leave me to deal with the chaos while he talks to Methos (or hides in the library with the dragon named Alaric... don't ask. I'm still not sure about the dragon).
Doctor Who - The Doctor, the Master, Romana, Donna Noble
Donna, because she is strong and brash and loud and perfectly willing to slap those who need slapped, no matter how scary they might sometimes be. And she lends herself well to AUs - Darker Guardians (mirror-verse style AU) and Fairytales & Nightmares both come to mind. Both of which have involved her traveling with the Master, in one form or another - Jacobi!Master in the former, Delgado!Master in the latter.
Romana, because while I've not seen as much as I'd like, and I haven't watched any with Romana II, she struck me as a strong and interesting character. She's not always loud or present, and sometimes she's difficult to write, but that's part of why I enjoy writing for her.
The Doctor - Nine, mostly. Sometimes Ten, if I'm going for AU. I haven't tried to write any before Nine, mostly because Classic Who is one of my childhood fandoms, and I don't really write in most of them. And I haven't tried canon Eleven yet, because while I enjoy watching him, he has not shown up as a muse.
The Master - Jacobi!Master is actually my favorite to write, and we only got all of maybe five minutes of him. Simm!Master is a close second, and I've a couple AU Masters that I like to write that I use other faces for - the one that got christened Giles!Master, and Oldman!Master, who both had their birth in RP, and both tend to be rather nasty pieces of work.
Torchwood - team
I'll write one or more of them into a story, and I did start with a strong preference for Owen and Jack over the others (though not particularly Owen/Jack), but the others have grown on me and I can't really call any one of them my favorite over the others.
Farscape - Bialar Crais, Talyn, Teeg
Crais was the whole reason I got into Farscape, and into Farscape fandom. He continues to be one of my favorites because he's complex and compelling, with plenty of space to be creative within the framework of canon as well as AU. Even if I don't write a whole lot of Farscape fic anymore. And my love of writing Talyn is very connected to Crais.
Teeg, on the other hand, I didn't even really think about until a prompt over at Terra Firma caught my attention... and Teeg moved into my brain and told Crais to shut up and sit down, and proceeded to tell me a story. She's still telling me bits of story when I'm not distracted with fandoms that are more current.
House - Gregory House
Actually, House is probably the only one I reliably write from that fandom, and I haven't in quite a while. I don't particularly like the new canon, and the one AU I was really working on has mostly run its course. House still hangs about, though, if mostly in the form of encouraging plot bunnies and feeding them scotch, vicodin and alien donuts.
Fandoms primarily from co-authored stories:
Fandoms in which I've been the one writing the characters, in which at least one story longer than a drabble has been posted. The rest, I'm not worrying about. And the explanations are shorter in the interests of finishing this post before I fall another day behind.
Criminal Minds - Penelope Garcia, David Rossi, Jason Gideon
Gideon was my first favorite character. Garcia was the first of them I wrote, and she continues to be more my muse for CM than the others. Rossi I disliked at first, but he grew on me. And moved into my head. And then met Baal from Stargate, and... well, lets just say Rossi makes me facepalm sometimes.
Stargate Atlantis - Ensemble
While I am not at all confident of my ability to write Sheppard or Teyla at times, or Carson, I prefer to find roles for all of them in a story, even if they're only bit parts. I'll write Ronan over Ford, so mostly after first season, but I am determined to eventually write Ford as well.
Buffy the Vampire Slayer - Rupert Giles/Ripper, Faith, Willow Rosenberg
Giles I tend to write more as Ripper than as Giles, because I tend to write more in AU than in canon, and he tends to speak to me more in that guise. Faith, I enjoy because she is strong, kick-ass, and can be cheerfully amoral while still fiercely protective of those she thinks of as family. And Willow... I don't know that I can actually say why I enjoy writing her, other than I find her oddly easy to write, in the full gamut from shy, awkward teenager to powerful, confident witch at the height of her powers - either dark or light or somewhere in between.
Angel - Lindsey MacDonald
While I do enjoy writing others- Lorne and Gunn both come to mind rather easily - Lindsey is my favorite because I can do just about anything with him. And probably because I've gotten into Leverage, and Christian Kane is playing Eliot, and that just makes my Lindsey muse sigh and bang his head against a wall.
Mythology - Anat
Um... because she'll throw a fit if I don't? She's strong, determined, and very much a survivor. Violent at times, avoiding war at others. She plays well with Immortals, and other long-lived people, as well as with mortals, most of the time. Although sometimes she does toy with them.
Sorcerer's Apprentice (2010) - Balthazar Blake; Arthurian Legend - Nimue
I don't actually have any other muse from Sorcerer's Apprentice, and Nimue I've adapted to fit that fandom rather than sticking to any of the various written or other movie variations and adaptations of Arthurian legends. And the two of them tend to bounce off each other, and have provided more than one plot bunny.
The tl;dr version:
Highlander - Methos, my OC Alysse, Kronos, Silas, my OC Zoya, Darius
Historical RPF (15th century) - Henry of Monmouth, or Henry V
Shakespeare - Montjoy
Iron Man - Ivan Vanko, Tony Stark, Pepper Potts
Harry Potter - Hermione Granger, Remus Lupin, Millicent Bulstrode, Regulus Black
X-Men - Logan/Wolverine, Victor Creed/Sabretooth
Stargate SG1 - Sam Carter, Daniel Jackson, Baal, Paul Davis
Doctor Who - The Doctor, the Master, Romana, Donna Noble
Torchwood - Team
Farscape - Bialar Crais, Talyn, Teeg
House - Gregory House
Criminal Minds - Penelope Garcia, David Rossi, Jason Gideon
Stargate Atlantis - Ensemble
Buffy the Vampire Slayer - Rupert Giles/Ripper, Faith, Willow Rosenberg
Angel - Lindsey MacDonald
Mythology - Anat
Sorcerer's Apprentice (2010) - Balthazar Blake
Arthurian Legend - Nimue